Michael TORKE (1961)

Adjustable Wrench (1987)11'
for chamber ensemble
0.1.2.1-1.2.1.0-marimba-pno-synth-strings(1.0.1.1.1)

Boosey & Hawkes Inc.

Ash
with Bright Blue Music
24'
For orchestra
Philip Taylor/Augsburg Ballet

Ash (1989)15'
For orchestra
1.2.1.2-3.1.0.0-timp-synth-strings

Peter Martins/New York City Ballet
James Kudelka/San Francisco Ballet

Black and White24'
Ballet for orchestra
3(II,III=picc).2.corA.2.bcl.3-4.3.3.1-timp.perc(3)-pft(=cel)-harp-sampling synth-optional elec.bass-strings

All created by Peter Martins for New York City Ballet between 1987 and 1989. The partnership between Torke and Martins is widely recognised as one of the most fertile collaborations between choreographer and composer in recent years. Many of Torke's concert works have also been choreographed by Martins.

Bright Blue Music9'
For orchestra
Mark Godden/Grands Ballets Canadiens

Ecstatic Orange30'
For orchestra
2.picc.2.2.2-4.2.Dtpt.3.1-timp.perc(3)-pft-strings

Peter Martins/New York City Ballet - "Three Bright Colours"
Mark Goddin/Winnipeg Ballet - "Dame de Fruits"

Mass25'
For orchestra
Peter Martins/New York City Ballet

Purple7'
For orchestra
Jiri Kylian/Nederlands Dans Theater - "Arcimboldo"

Slate (ballet called Echo)32'
Ballet for orchestra
Concertante group: 3 keyboards-perc(2) Orchestra: 2.2.2.2-4.3.1.0-timp-strings

Vanada (1984)13'
For orchestra
hn.tpt.trbn-perc(4):xyl;vib/glsp;marimba;tom-t/wdbl/bongo/crot/timbales/metalplates-pno-elec.pno-2polyphonicsynth-bguitar

Kim Brandstrup/Arc Dance Company

Yellow Pages, The (1984)
with Black & White and Slate
39'
for ensemble
fl(=picc).cl-pno-vln.vlc

Daniel Duell/Ballet Chicago - "Time Torque"